News & Press 2018-10-16T15:30:55+00:00
2901, 2019

Interview by Evdokia Vazouki for

Συνέντευξη από την Ευδοκία Βαζούκα για το Tony Candolino in Master Class by Terrence McNally | Mikro Horn Theatre, Athens | 2018 Ⓒ Elina Giounanli Την πρώτη φορά που τραγούδησε μπροστά σε κόσμο ήταν 22 χρονών. Πιστεύει πως είναι δύσκολο να κάνεις καριέρα ως λυρικός [...]

2301, 2019

Excerpt of review for McNally’s Master Class at

Excerpt from Katia Soritirou's review for McNally's Master Class in Mikro Horn Theatre, Athens (review in Greek) [...]..."the handsome Nicolas Maraziotis played the role of the student tenor with a particularly warm-hearted performance."..[...] // [...] Δίπλα της, η Βάσια Ζαχαροπούλου (στη βραδιά που είδαμε εμείς την παράσταση), έξοχη φωνή και [...]

901, 2019

Maese Pedro is back to school!

Kids are back to School and so are we! Schools are opening again after winter break and Don Quixote with the puppet show of Maestro Pedro will be back too for the rest of the season's performances. Greek National Opera's production of De Falla's El retablo de [...]

2011, 2018

A Puppet Opera by the Greek National Opera

El Retablo de Maese Pedro by Manuel de Falla Puppet opera November 2018 – June 2019 Greek National Opera’s Educational and Social Activities introduce the masterful puppet opera El retablo de Maese Pedro to primary schools - an opera composed a hundred years ago by Manuel de [...]

2210, 2018

McNally’s Master Class

Terrence McNally's Master Class This season I am thrilled to be part of the production of Terrence McNally's Master Class directed by Odysseas Papaspiliopoulos and to perform next to amazing colleagues and of course to the beloved and amazing Greek actress Maria Nafpliotou in the role of Maria Callas. The play [...]

1509, 2018

Prince Ivan & the Firebird on Screen

Prince Ivan & the Firebird on Screen The children's opera Prince Ivan & the Firebird by Th. Abazis is returning on selected screens and cultural centres across Greece as part of a scheme by the Greek National Opera. The main goal of this scheme to extend the operatic world [...]

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